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Sunday, July 1, 2012

Save the Cat Summer: 7 Beat Sheet Myths Busted

Myth #1: You have to fill in ALL! THE! BEATS!

Truth: No one expects you to know everything about your book before you write it. So focus on what you do know--even if all you know is intangible, like a mood or a feeling--and then start writing. Those blank spots will fill themselves in as you learn more about your book.

Myth #2: Theme doesn't matter.

Truth: Don't overthink or undervalue theme. It is the mirror in which the events of the story are reflected.

I would be willing to wager that all of us, at one point or another, got a quarter of the way through a book and thought, "I understand what's going on action-wise, but I don't know if it's good or bad, or why it matters."

Theme is what the book is about. Theme is the story you're telling, the question you're asking, the point of it. Theme gives us the proper context in which to experience the myriad of events that will transpire throughout the rest of the book. Which is why it's front and center.

The good news is, theme isn't something you add to a book. It's something already there, a question your subconscious keeps trying to answer off and on throughout the story. All you have to do is find it.

Myth #3: If your beats aren't lining up just so, your book is broken.

Truth: SAVE THE CAT is a screenwriting book, and the beat sheet, in its original form is intended to show how one can efficiently squish a story into roughly 90-110 minutes of film. We book people, on the other hand, have a little bit more leeway.

A more accurate way to look at the Save the Cat beat structure is to think of it as a recipe. Here are all the ingredients you will need to make for a satisfying dish. You can flavor to taste.

Myth #4: Some people just don't have the plotting gene.

Truth: Plotting, like most everything else, can be learned. Instead of giving up on plotting altogether, ask yourself why you have such an aversion to it. Is it because not knowing what happens next makes you nervous? Or because knowing too much ruins the story for you?

"That doesn't always work for me" is better than "I can't do it" any day.

Myth #5: "Formula" is a four-letter word.

Truth: Math, science, the universe, and pretty much everything else is made up of some kind of formula. Your DNA? A formula. Your favorite beer? A formula. The way your mind works when coming up with stories? A formula. The beat sheet is no different.

Myth #6: It's impossible to cram the happenings of a 400 page book onto one beat sheet page.

Truth: Can't fit your whole story onto one beat sheet page? Easy. Use more than one beat sheet. Separate your action plot from your romance plot from your subplots and map them each out individually.

Myth #7: This isn't working for me, so I must be doomed for failure.

Truth: Not every book on writing will help every writer. Everyone's different. There are hundreds of books on writing out there. They won't all help you. But a handful will. Keep reading and trying new things until you find them.

Tuesday, May 15, 2012

The 7 Point Plot System aka Save the Cat for Pantsers

ETA: Don't worry about having to keep with the links! I've compiled a list at the bottom of this post!

One of the things I hear most about Save the Cat is that it's damn complicated and what the shit is a theme and why does it have to be in the form of a question? This is a BOOK, Liz, not a freaking episode of Jeopardy!

Pantsers especially, I've noticed, are hella skeered of the beat sheet. And I guess I can understand why. Breaking your book down into 15 steps when you don't even know what your book is about yet does fall under the heading of "intimi--wait for it--dating".

But fear not, you writerly peoples, you! For there is a solution for you heathen pantsers!

The 7 Point Plot System

Developed by Dan Wells, who attributes it to Star Trek RPG, the 7 Point Plot System gives you all the goods of Save the Cat, but with fewer, less intimidating steps.

Here's what it looks like:

The 7 Point Plot System



Hook
The beginning. The mirror image of the end.

Turn 1
Introduces conflict and bridges the gap between the Hook and the Midpoint.

Pinch 1
Something bad happens.

Midpoint
Bridges the gap between the Hook and the Resolution.

Pinch 2
Something even worse happens.

Turn 2
Bridges the gap between Midpoint and End.

Resolution
The climax. Everything in the story leads to this moment.

There's more to it than that, but I'm not going to go into it because he does it so much better. Fortunately for you, the workshop presentation is on YouTube!



He's even made the PowerPoint slides available for download: 7 Point Plot System slides!

I would strongly recommend watching the workshop and going over the slides if you have a free hour this weekend, because not only does he go over the different steps using examples from Harry Potter and The Matrix, but he also goes into some hardcore layered plotting, and breaks it down in a way that it's so simple to use, even for the most die-hard pantser.

(For those of you saving it for later, here's a direct link: 7 Point Plot System. You can also download a PDF of the PowerPoint slides here: 7 Point Plot System PDF.)

How it Works with Save the Cat

I've been over this a hundred times with Liz Poole, and I can say unequivocally, it matches up near perfect with Save the Cat.

Here's the breakdown:

7 Point Plot System
Save the Cat
  • Hook
  • Opening Image
  • Theme Stated
  • Setup
  • Turn 1
  • Catalyst
  • Debate
  • Pinch 1
  • Break into Act II
  • B-Story
  • Fun & Games
  • Midpoint
  • Midpoint
  • Pinch 2
    • Bad Guys Close In
    • All is Lost
    • Black Moment
    • Turn 2
    • Break into Act III
    • Finale
    • Resolution
    • Final Image

    So you can see, it matches up pretty well. For a better example, I went ahead and did a Beat Sheet and 7 Point Plot worksheet for Wicked (the musical, not the book):

    (If you hate Scribd, don't worry--there are links to downloadable PDF versions of these at the bottom of this post.)

    7 Point Plot Worksheet - Wicked
    Save the Cat Beat Sheet for Novels - Wicked

    If you're one of the people who tried Save the Cat and it just didn't work for you, I hope this helps to fill in that gap. These days, I find it's easier to scratch out a loose plot using the 7 Point Plot system, work with the story for a few pages, and then fill in the blanks on the Save the Cat beat sheet as they come to me. A lot of the intimidation that comes with the Save the Cat beat sheet comes from the feeling that you have to have this enormous chunk of information before you even begin writing, and I like how the 7 Point Plot System simplifies that so that you're only working on one aspect of the plot (action, romance, betrayal) at any given time.
    Links!
    Part 1 of the Story Structure (7 Point Plot) workshop: YouTube
    Story Structure (7 Point Plot) slides: PowerPoint | PDF

    Beat Sheet example for "Wicked": PDF
    7 Point Plot example for "Wicked": PDF

    Save the Cat Beat Sheet for Novels: Excel

    7 Point Plot Worksheet (Printable): PDF
    7 Point Plot Worksheet (Layered): Excel

    Thank You
    I love that so many people have found the Save the Cat Beat Sheet for Novels helpful. As always, if you have any questions or comments (or corrections!), feel free to let me know.

    More beat sheet stuff is coming this summer! It's gonna be awesome!

    Thursday, April 14, 2011

    Save the Cat Beat Sheet Spreadsheet for Novels

    A while ago, I talked about how I use the Save the Cat beat sheet to roughly plot out new projects before drafting. The problem for most people, though, is that the beat sheet is for movie scripts that are around 100 pages, and books are significantly longer.

    So I decided to share with you my little beat sheet spreadsheet:




    Click here to download from Sribd! (Be sure to chose .xlsx format!)
    Click here to download the file directly! (For those of you who hate Scribd!)

    All you have to do is fill in your title, logline, and projected word count, and it will handle the rest. You can also mark which chapter the beats happen in, in case you need a quick reference.

    Enjoy!

    Friday, April 1, 2011

    Blogfest: This Was Me, Then

    I'm postponing Friday Reads until tomorrow in order to take part in a blogfest hosted by fellow writer (and fellow Elizabeth) Elizabeth Poole. The gist is this: post a piece of old work—from a year or two or ten ago—to show how far you've come.

    And once you see some of this old stuff, you'll understand I seriously had nowhere to go but up.

    So without further ado, let us begin!


    From April 12th, 1997

    This is one of the very first stories I wrote. I was fourteen, and while I don't remember being in love with vampires or high fantasy, I wrote this. Ironically, its original name was TWILIGHT, but I changed it to FIRST LIGHT because I didn't think a book called TWILIGHT would sell.

    That is not an April Fool's Joke, by the way. That's the pathetic little truth.

    Anyway, it was about this girl who was a vampire and she was a total Mary Sue, even though I remember not really liking her very much at the time. I can't remember what her name was--"Keavy" sticks out for some reason--but she went by the name Mayrnagh, which I guess was her vampire name.

    Actually, I'm pretty sure I explained all that in the first three chapters (ETA: this isn't a typo, FIRST LIGHT had a prologue), but since they're a friggin' snoozefest, I've decided not to torture you with them. Instead, we'll start where it gets good, at Chapter Three, where the WTF-ery is so thick you can cut it with a knife.



    Chapter Three – Wolfsong

    Rain is pouring down; I can hear it on the roof. [I find the use of first person present very peculiar, seeing as how it makes my eye twitch nowadays.]
    I’ve never liked the rain; it’s wet. [That is the real problem with rain, isn't it? All that WATER it's made of.] It takes forever to dry my hair, as long as it is, when it gets wet. I have a shower each morning, but I choose not to get wet otherwise if I can avoid it.
    Some vampire lore states that vampires have the power to transfigure themselves into animals. This is not a vampire power. This is magic. And it isn’t secluded only to vampires, themselves. Any ordinary human could very well learn this magic, if he or she had the determination, skill, and time to learn. [Stupid humans. Stupid humans and their VAMPIRE LORE.]
    Of course, transfiguration magic takes much longer to learn than the basic magics: potions, candle magic, and divination being only a few. Most humans don’t live long enough to master the art of transfiguration; the ones that do usually don’t have the desire or inner-strength to perfect it. And even then, there are very few that know it exists.
    One of the perks of being immortal is time; there’s plenty of it. Being that a vampire is a natural hunter – humans have long suppressed their killer instincts, unless directed at one another --, [random punctuation #1] animal transfiguration comes easier to us than other creatures. Even Grimmas, who are born magical, study many years to transfigure themselves into other beings.
    I have been studying for over one-hundred years.
    Tonight, I am a wolf; [random punctuation #2] white, with blue eyes. There is a nice wooded area behind our home. I am joined by Naunie, an ancient Sephiroth that had given up his human form completely for that of a wolf some fifty years ago. He lives in a cave by the river, where food is easily accessible. [Translation: China Wok delivers] He visits us whenever he pleases, though he much prefers the solitude; [random punctuation #3] especially when the moon is full and the night is clear.
    Tonight, it is neither, and I have called upon him, as he is one of my oldest and dearest friends. We speak telepathically, so as not to draw attentions to ourselves, or his cave. [Also, we don't want to accidentally set off all those bombs he's been mailing to his Congressman.]
    “Welcome, Wolfsong,” he says inside my mind. Wolfsong was what he had deemed me upon successfully completing my first transfiguration into wolf. “To what can I owe this surprise?”
    “Good evening, Wolfguard. I’m afraid I cannot stay long; it will rain soon.” [And rain, you know, is WET.]
    “Aye, it will,” he said. “I’ve had word from the Grimma’s [random punctuation #4] in the lake. Well, go on, child, don’t hold yourself up. What is it you’ve come all this way for, eh?”
    “I’m being watched, Wolfguard. I think I’m being hunted.”
    “Not in wolf-form, I hope,” he said uneasily. He was cautious about his privacy; I would’ve never come to him if I thought he was in danger. I think he knew this, though he felt he needed all bases covered.
    “No,” I replied, “as Wolfsong I am safe. I wasn’t followed.” The old wolf breathed a sigh of relief; he had not placed his trust in me in vain.
    “But as Mayrnagh, you feel threatened? Have you seen this threat yourself, or do you just feel its presence? You dabble in divination, do you not; have your readings turned up any clues?”
    “They have.”
    “And?”
    “Witches,” I replied.
    “But not Trioch?” Wolfguard was one of the wisest Sephiroth. In often times, he knew the answers before the questions were asked. He would not give them away, however, as one could not learn by being told; they must find the answers for themselves. I knew he would help me find them. [What. The. Shit.]
    “No, not Trioch,” I replied. “The readings unnerve me, but they do not show any immediate danger. Trioch don’t often guard their intentions.”
    “Then what is it you fear, lass?” I pondered this question in my head. What do I fear?
    “Myself,” I answered hesitantly.
    “And what are you?”
    “Vampire,” I answered.
    “What are you?” he asked again. My answer had not satisfied him. More accurately, my question had not satisfied myself, and the answers that I sought. I thought some more. What am I?
    “Asanti.” It made sense. The Asanti were the hunters, and I was the hunted. But why?
    Before I could ask any more questions, I was lead to the cave entrance. There was a light mist of rain in the air. “You’d better go now, child. The rain will not let up tonight and I know how you do not like to get wet. [!!!] Go back to your home; stay there until the moon is new.”
    “The Asanti are hunting me; why?”
    “You know better than to ask questions, Wolfsong. The answers will come to you when you’re ready to find them. In time, they will find you.”
    And with a soft nuzzle to bid farewell to the old wolf, I was off, dashing through the forest that led to my home.


    Yeah. I know.

    And the thing is, I really loved this book at the time. I thought it was AWESOME. I even sent queries out on it. (I don't think I need to tell you that the queries did not generate a lot of interest, probably because the queries were as bad as, if not worse than, the actual story.)

    But FIRST LIGHT is the kind of story that everyone needs to get out of their system. I'm not talking a melodramatic teenage vampire story--although if you want to write one of those, feel free--but a bad story. A story that has stupid characters and no plot and is poorly written.

    (And sometimes you have to write more than one).

    Because the thing about writing is this: you'll never strike gold until you dig deep, and you can't dig deep if you're always hesitating because you're afraid of sucking all the time.

    And thinking you suck? It's not something you grow out of when you become an adult. It's not something that magically goes away when someone says something good about your blog/short story/essay/novel/idea, or when you get an agent or a book deal or land on a bestsellers list.

    My secret (also not an April Fool's joke) is that I think I suck. A lot. And that feeling of sucking kept me from striking gold for a long time.

    Eventually, though, you learn to ignore that sucky feeling, and when that happens, you stop letting what's on top of the gold deter you from digging for it anyway.

    ! [random punctuation #5 ;-)]

    Be sure to check out all the other participants' entries here!

    Thursday, February 3, 2011

    Doubt

    Earlier today, while I was eating lunch, I somehow found myself in the middle of a study group. Not my study group, but just some random study group. I don't even know what they were studying, just that somehow, for some reason, the topic got turned around to writing and before too long, they were all looking at me like I was Yoda and they wanted me to show them the ways of the Force.

    I'm not exactly sure why this happens. Not that it happens a lot, but every now and then, it's like I accidentally walked out the door with a neon sign across my boobs that reads I WRITE BOOKS! ASK ME HOW! And even though I feel like I know a lot about writing, I don't always feel qualified to give advice on the subject. I mean, why should anyone take advice from me? I can't even write a five-page essay without freaking out.

    But there we were, talking about writing, when a shaggy-haired dude looked at me and said, "I have an idea for a story, but I don't know how to put it onto paper."

    "You sit down and write it," I said.

    "But I don't know how."

    "Yes, you do," I said. "You sit down and write it."

    "But I don't know how."

    "Yes, you do."

    He looked at me like I was confused, and shook his head. "Naw, man. It's like, I get writer's block, or whatever."

    "No," I told him. "You give up on yourself and call it quits. That's not writer's block. That's doubt."

    Dude went quiet for a moment. Then he said, "So how do you get rid of doubt?"

    "You tell it to f--- off," I told him. "And then you sit down and write."

    Doubt is universal.

    I have it. You have it. Bestselling, world-famous, published-in-sixteen-countries-in-thiry-languages authors have it. We've all had it at some point. Doubt is that sudden, sobering realization that everything we've been hoping for, everything we've been working toward, it's never going to happen.

    "Things like that don't happen to us," we tell ourselves, and for a moment (sometimes even a long moment), whether we want to or not, we believe it.

    Different people believe different things, but for me, I like to think of doubt as an Internet troll: some unemployed bald guy sitting bored in his parents' basement, looking for a fan site where he can stir up some trouble, at least for a few hours, until something good comes on TV.

    There's only one way to deal with an Internet troll: ignore it and eventually it will go away.

    Yeah, you might be thinking, that's easy for you to say.

    But the truth of the matter is, I'm no better at this than anyone else is. I feel doubt every day. I may not always succumb to it, but I feel it. It's always there, trying to find a way around my mental firewall so it can stir up some bullshit flame war between my proverbial Team Jacob and Team Edward.

    For those of you who know me well--and by "well" I mean sobbing on the phone late at night because I completely suck at writing and have nothing else to live for--know that what goes on here, on this blog, and what goes on behind the scenes, when I'm hyperventilating because my one-sentence pitch is too wordy, are two very different fronts. Sometimes it is very, very difficult to find something positive to say on my blog. It would be much easier to post about the other stuff, like rejections and unfavorable critiques and the people who've said nasty things about my writing for no reason other than they don't like me as a person.

    But if you engage the crazy, you become the crazy, a lesson I've learned all too well in recent years.

    So if you feel Doubt nagging at your noggin, do yourself a favor: ignore him and do it anyway, and eventually he'll go bother someone else.

    Monday, January 31, 2011

    How to Make Lemonade

    When I first sat down to write this post, I had totally planned on talking about how demoralizing one of my classes has been, and what a struggle it is to write happy things when someone in your life is trying his damnedest to make sure you know just how horribly you suck.

    But then halfway through I realized that focusing on the muck is what keeps you in the muck, and what I really should blog about was how to get out of the muck.

    Ready? Here goes.

    When life hands you lemons, send them through a juicer

    Since toxic people bear toxic fruit, it can be dangerous to try and digest their special kind of feedback, skin and all. Instead, you have to separate the bitter/inedible parts from the juice, which might otherwise be useful. I like to do this by blacking out--either literally, with a Sharpie, or mentally--those things you think are invalid, unfounded, or just plain mean.

    Can't find any juice? Don't worry about it. Some people are just mean for the sake of being mean.

    Dilute, dilute, dilute

    Being the designated whipping girl isn't fun, especially when it seems like every move you make is met with a smack on the rear. But the truth of the matter is, even though a person's ire may be directed at you, it's usually not because of you or anything you've done. Toxic people are experts at finding faults in others they think will deflect from their own insecurities.

    Pour some sugar on it

    Let's face it: rejection stings, even when it's from someone you don't like. Take the hurt out of it by revising their demoralizing feedback with something a little more constructive. For example, if someone accuses you of rambling inanely, make a mental note to double-check for cohesiveness.

    Serve it ice cold

    Never, never, never try and tackle a nasty critique right away. Let it sit for a day/week/month, until you can read it without over-analyzing every little thing.

    And when you're done, put it on ice permanently by tossing it in the wastebasket where it belongs.

    Wednesday, January 26, 2011

    4 Months

    So this week I'm stuck writing an essay, so today you get KITTEH PICTURES!

    Here's Nathan Fillion at four (and a half!) months old:


    He still gives the best snuggles you can imagine. He's still a bottomless pit. He still sleeps on my pillow (technically, though there isn't much pillow left for me at this point). He still kisses me goodnight.

    This is his brother Ephraim:


    Ephraim has the best belly of the bunch. Too bad touching it tends to launch the worst stink bomb you can imagine.

    I also decided to redo my office (again) a few weeks ago. It's still a work of progress, but the painting is done:


    And thanks to Elvis and Nancy, so is most of my interior decorating:


    I also found this way cute rug at Pier 1 at 90% off:


    I know, right? Just how cute is that rug?

    But it's not as cute as Emma, AKA my new seat cushion:



    Happy Wednesday! And if you're feeling particularly generous, I wouldn't mind a prayer or two for a snow day tomorrow!

    Thursday, December 23, 2010

    More On Plotting


    I took a shot of this the day of finals, and just now got around to pulling it off my phone.  Here, we have: a short outline, a long outline, notebook, hair clip, lip balm, colored index cards, pencils, highlighters, black ink pen (very important), white index cards, and Blake Snyder's SAVE THE CAT.

    Then, when I have a good idea of where I'm going, it all gets input into Scrivener, like this:


    I typically try to write from beginning to end, but there are some scenes I know out of order, so I don't feel bad spending a few minutes getting those down as they come to me.


    Full-screen mode is great for times when Twitter gets in the way of productivity:


    I'm also partial to my timer-bomb, which keeps me from feeling overwhelmed:


    But the real secret to writing well is having tons of these:


    HOTCH SNUGGLES!!!!

    Happy Holidays, everyone!

    Wednesday, December 22, 2010

    Required Reading for Writers

    Back when I worked for The Bank, there was a stupid rule that we had to read this bohemoth of a policies and procedures book every year before December 31st. Every year, I'd put it off until the very last week, hoping I could somehow get out of it. And every year, my boss would swish past my desk, wearing a look on her face like she'd just swallowed a toad, and I'd know my plan had been foiled. Again.

    I don't rightly recall why I had such an aversion to reading the policies and procedures handbook, except to say that half the stuff was either outdated or outlandish or both. But I do remember how it felt to come back in the middle of December, after my winter vacation, and see that 5" maroon binder staring me in the face. It's the same feeling I got last week, when I looked at my history final and realized everything I knew about the Civil War came from True Blood.

    But as I was tidying up my office, the thought occurred to me that maybe it wouldn't be such a bad idea to spend what little bit is left of 2010 re-reading some of my favorite writing books.

    Here's a short list:


    I have others on my shelves that I turn to periodically, but these are the ones I find myself going back to over and over again.

    How about you? Which books are your favorites, and which would you deem required reading for writers?

    Tuesday, December 7, 2010

    The Idea Store

    Earlier this afternoon, I asked a friend of mine, "Where do your ideas come from?"

    "I buy them from an ad in the back of Rolling Stone," she told me. "I dunno. All over."

    This morning I pulled up a book I finished in September to get it ready for an edit the size of a rewrite. I don't know how to explain what it feels like to read your own work except to say that it's different than reading someone else's work. The flaws are more pronounced, the characters more familiar. Sometimes I run across things I didn't even know I knew, and I'm amazed I even knew it to begin with.

    Growing up, I was never one of those people who had to ask, what should I write about?  What should I draw? What should I play? What should I wear? I had to ask those things a lot. (I still do.) But I always had an idea for something to write, even if I didn't know how to execute it properly at the time.

    So how do you open your own Idea Store?  I have no idea clue. But here are a few rules that have helped me over the years.

    Give up on your muse.

    I hate to break it to you, but muses? They don't exist. What does exist is hard work. If you really want to be a font of ideas, stop waiting on them to find you and start looking for them. Everywhere.


    Don't panic.

    Every now and then, the thought occurs to me that I might never have a good idea ever again and will somehow die of writer's block. 

    (I know it's not really possible to die of writer's block, but sometimes it feels like it is, and that's all that matters.)

    The cure for this is simple: step away from the computer and do something fun. Play mini-golf. Do the dishes by hand. Read a book. Take a nap. Play with the kids/dog/cat. Acknowledge a loved one with more than an annoyed grunt. By the time you're done relaxing, you'll most likely have had an idea. Crisis averted. It's only when you let yourself go into panic mode that all hell breaks loose.

    Stop window shopping.

    Keep a notebook and pen with you everywhere you go, and jot down ideas as they come to you. If you lollygag around waiting for validation, probably you're going to forget the idea you were ambivalent about in the first place. It's better to write it down now and analyze it later.

    A picture is worth a thousand words.

    Challenge yourself every day to craft a story in your head about a song, a painting, a picture or a building. Whether you put it on paper is up to you.

    Don't expect every idea to be a good one.

    Most of the ideas I have are crap, and I mean that in a Battleship-Earth-meets-Dumb-and-Dumberer kind of way. You could bottle some of my ideas and fertilize your farm for years to come, that's how crap they are. But I jot them down anyway. You wouldn't believe how many good ideas come to us dressed in a suit of poo.

    Mix-n-Match

    Take two been-there-done-that ideas, shake them up, and see what happens.

    Those are just my tried-and-true favorites, and as always, your mileage may vary. So how about you? How do you go about generating ideas?

    Monday, November 29, 2010

    Three Months

    Since September, little Nathan Fillion has gone from this:



    To this:


    He's spoiled rotten and absolutely fearless. I can't wait to see what he gets into next.

    (Note: Ignore the date on the photo. My camera hasn't worked well since that time I dropped it in the toilet.)

    Sunday, November 21, 2010

    Quiet Time

     
    Believe it or not, my favorite time of day is just before dawn, when I have the courtyard outside the library all to myself, and an hour and a half to do whatever I please. Sometimes I read. Sometimes I write. Sometimes I lay my head down on the table and stay that way until the sun comes up. Regardless, it’s my time to do whatever I want to do, and that kind of freedom is worth its weight in gold.

    Friday, September 10, 2010

    Are you addicted to approval?

    Take this quiz and find out!

    You fall completely in love with a yellow faux-leather jacket at the mall. Not only is it your size, it's also on sale.  What do you do?

    1. call your best friend immediately and ask her what she thinks. If she likes it, you'll buy it.
    2. call your best friend immediately and ask her what she thinks. If she hates it, you'll buy it.
    3. call your best friend immediately and tell her about the new yellow faux-leather jacket you just bought.

    Your "dream agent" has declared young adult alien romances (like the one you've been working on for the past 2 years) dead in the water. With aliens out, he predicts were-kitteh mockumentaries will be the Next Big Thing. You: 
    1. spend the next six months transforming your young adult alien romance into young adult were-kitteh mockumentary. He's a professional, after all, and you trust his opinion.
    2. scrap everything and spend the next six months using it as an example of how people like him are killing the publishing industry. He's a professional, after all. What does he know?
    3. shrug it off and keep on trucking. Good books never go out of style, and if he doesn't want it, someone else will.

    You hear through the grapevine that a girl you work with has been running you down behind your back. While some of the accusations are true (and others not so much), they're taken out of context to make her look good and you look bad. 

    You:
    1. buy her coffee for a month in an attempt to change her opinion of you, and when that doesn't work, avoid her at all costs.
    2. remind her that two can play this game by outing her for being the talentless, two-faced hack you both know she is.
    3. accept that not everyone is going to like you and move on. If she's really as venomous as she seems, it's only a matter of time before others figure it out, too.

    You have an idea for a new project. But before you get started, you want to:
    1. run it by your mother, brother, sister, priest, therapist, critique partner, critique group, Facebook friends, twitter followers, blog subscribers, members of every mailing list you belong to, and so on, and so forth
    2. make sure it hasn't been popularized by someone else. Seriously, how embarrassing would that be?
    3. make a few notes, maybe even an outline or to do list, so you can get a feel of how to best execute it

    You catch yourself stretching the truth about your accomplishments:
    1. Sometimes
    2. Always
    3. Never

    You're done!  Time to tally your answers!



    If you scored:

    Mostly As
    Step away from the Kool Aid! When it comes to approval, you'll do just about anything to score your next fix. Too bad your obsessive-compulsive people-pleasing leaves you feeling even worse than before.

    How to kick the habit: as Polonius once said, 'to thine own self be true.' Whenever you find yourself seeking approval from outside sources, take a mental health moment and ask yourself why. You may be surprised at the answer.

    Mostly Bs
    If apathy were a superpower, you'd have the world by the balls.  Or at least, that's what you want people to think. Truth is, you're as insecure and approval-addicted as everyone else, you're just too scared to admit it.

    How to break the ice: confession is good for the soul, so cut the crap and fess up. Who knows? The more you give a damn about others, the more they may give a damn about you.

    Mostly Cs
    You're calm, cool, and collected...and maybe a little too well-adjusted.  Sure, you have the occasional bouts of self-doubt, but for the most part, you own your awesomeness.  Way to go, kiddo.

    How to stay the course: keep your eyes on the prize. According to mental toughness guru Steve Siebold, “most middle-class performers - the average person - spend far too much time focused on their fears in an attempt to prepare for the worst. World-class performers develop a laser-like focus on their excruciatingly detailed, emotionally charged vision."

    (Just like Payson Keeler!)

    That's it!  How'd you do?


    xoxo,
    Liz