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Showing posts with label Write It. Show all posts
Showing posts with label Write It. Show all posts

Sunday, December 24, 2023

Pep Talks

Lately I've been starting my writing day by asking myself:

What is the pep talk I need to hear today?

It turns out that every day, this answer is vastly different than the day before.

Not only that, but sometimes the person I need to hear it from is not even me, but someone else, someone I may or may not have access to, which can get really tricky.

For example, a couple of days ago, the pep talk I needed--ridiculously enough--was encouragement from my fifth grade teacher, who is not only deceased, but also wasn't my favorite person and also not the nicest or most encouraging person when she was alive.

It was a situation where my brain told me I wanted something I was literally never, not in a million years, ever going to get.

This, friends, is what therapy does to you. It not only makes you aware of situations like this, but it also makes you aware of situations like this, if you know what I mean.

Because I think without therapy, I would go through my day, not really knowing what it was I thought I needed, only knowing I was never going to get it. But because I've gone to therapy and I've done the work and I can put the name to the thing and process through some of it, I feel like I'm required to then untangle some of those knots.

Lucky me.

My fifth grade teacher...I'm sure she had her own demons. Some of those demons, no doubt, were fifth grade kids. Have you met fifth grade kids? They're brutal. But let's just say...she was in the wrong profession for her temperament.

I have always been an avid reader and writer. I was that kid with a notebook when I was nine. The I-won't-bother-you-if-you-don't-bother-me type. The kind who would rather sit in the library than play outside. We could have just been cool with each other. But no.

One day a kid named Travis jerked my notebook out from under me, held it up for all to see, and announced to the class that I was writing a book and I wanted to be published.

The class laughed.

And then Ms. Sade joined in.

"That's ridiculous," she said.

She could have just said nothing at all. She could have said, "Dude, stop touching other people's shit." But no.

This isn't really a sore spot for me now, but it gutted me at the time. I was eight years old. I didn't know any better. All I knew was to be hurt.

So when I have these moments where I need reassurance but from a specific person or a specific point in the past, I try really hard to perk up and listen to what it's really asking.

This particular instance was asking for someone to stand up with a piece of my work, like Travis did, and ask: Could this be something? Or will someone laugh at it?

And the solution was simple: I sent a chunk of work to my agent, whom I trust will not laugh at me, and asked for feedback.

There's a whole big can of worms that comes with asking for what you need, too, instead of waiting for someone to magically guess, but I don't have time to get into that today. I have a kitten sleeping on my lap, and my coffee is fresh, and I have more words to write before the kitten wakes and the coffee goes cold.

So I will leave you with this, fellow writers and future me: don't be afraid to ask for what you need when you need it.

Saturday, December 23, 2023

Writing Sprints

Today I am doing writing sprints to get my word count in for the day.

What are writing sprints?

Writing sprints are when you take a big chunk of time, ie: your writing time for the day, and you split it up into writing time and resting time, so that you get stuff done but you also don't burn yourself out or stress yourself out.

For me, today, this looks like 15 minutes writing followed by 15 minutes resting. You can write or rest for longer or shorter, depending on how you're feeling. The only rule is that you make the rules.

(If this sounds a lot like the Pomodoro Technique, you're not wrong! It's pulled directly from that, probably!)

Writing sprints are probably one of the best tools in my writer toolbox. Also, I think, the most intimidating, for me. Because what do you mean you just sit down and write for fifteen minutes, without stopping? Do you know what kind of crap I can come up with in fifteen minutes of writing without stopping?

One of the things that has tangled me up this year is this weird sort of stuck headspace, where I'll spend hours going over and over and over one chapter, one scene, without moving on. I know better. And still I get caught in this endless loop.

Writing sprints are what help me move forward in times like this, without too much mental frustration. Fifteen minutes on new things, and then I can fret over the old words for a bit. Then fifteen more minutes on new words... And so on.

Therapy has taught me over the years that when your mind gets "stuck" or "hooked" on certain things, it's likely for a very good reason, usually to protect you from something, even if that something or its methods don't make sense. It would be easy for me to say, "Going over old words is a stupid, useless, waste of my time, so I just stopped doing it!" But the reality is, it's likely a manifestation of something much greater, like anxiety, which isn't so easy to quell. So I just roll with it, and try to find a happy medium in the meantime.

Another thing that has been really helpful is to remind myself that every book I've ever finished, every book I've ever loved, every book I've ever submitted, every book that's ever been accepted, every book that's ever been anything has been written sloppily, in little bursts at a time.

Every. Single. One.

So my anxiety over the clean-up process--whether I can do it, whether it will be too hard, whether future me will be capable--is fear-based, not fact-based.

I can do hard things, because I have done hard things.

P.S.: If you would like to join me in writing sprints, beginning Thursday, December 28, 2023, 9PM-11PM EST, I'll post threads here and on Threads and Instagram where you can join in weekly!

Wednesday, December 13, 2023

Another Year of Writing Books

Every year on my birthday, I do a whole thing where I recommit to writing for one more year.

This isn’t an official recommitment ceremony or anything like that. It’s just a thing I’ve done the past few years that I’ve enjoyed doing, so I’ve kept doing it.

This year, because my actual birthday was a gloomy, rainy, lonely thing, I celebrated with a new journal, which I needed, and some new stickers, which I wanted, and a couple of pens and markers, which matched and were also on sale.

I’ve learned over the years to pay attention to the universe when it’s screaming messages at you at the top of its lungs. This, I think, was one of those times. And I’m still not exactly sure what it was saying, only that it was saying something, and maybe that is enough for me to shut up, lean in, and listen.

Another thing I need to do more of?

Talking.

Or blogging.

Sharing.

Whatever.

Years ago, when I used this blog to jot down writing thoughts between classes. Back then, everybody had a blog, so me having a blog felt a lot less like me having a blog.

I’ve talked before about how useful it was to write down thoughts, share them with others, and how the conversations (and the friendships) that came out of those times shaped the foundation of who I am as a writer.

I like to think I’m a better writer because of the smol effort I put into a smattering of words ten years ago.

I know I am a better person because of the friends I met.

Journaling hasn’t had the same impact for me. I still do it, three pages every day, a holdover from my time doing Morning Pages through Julia Cameron’s Artist’s Way practice.

But I miss sharing with others. I miss working riding the highs and lows with writer friends.

I don’t know what that looks like, though. I don’t know if it looks like a podcast or a blog or something else entirely. I’m here because this is where I left you last, this is what is most familiar and where I feel most comfortable.

And to be frank, I am tired tonight and don’t feel like learning a new app.

If you’re out there, maybe it’s enough to say:

I’m out here, too. I’m writing a big, scary thing. I’m turning in another big, scary thing this week, for the first time in a couple of years.

Hi. My name is Liz. I write books. It’s nice to meet you.

Sunday, July 1, 2012

Save the Cat Summer: 7 Beat Sheet Myths Busted

Myth #1: You have to fill in ALL! THE! BEATS!

Truth: No one expects you to know everything about your book before you write it. So focus on what you do know--even if all you know is intangible, like a mood or a feeling--and then start writing. Those blank spots will fill themselves in as you learn more about your book.

Myth #2: Theme doesn't matter.

Truth: Don't overthink or undervalue theme. It is the mirror in which the events of the story are reflected.

I would be willing to wager that all of us, at one point or another, got a quarter of the way through a book and thought, "I understand what's going on action-wise, but I don't know if it's good or bad, or why it matters."

Theme is what the book is about. Theme is the story you're telling, the question you're asking, the point of it. Theme gives us the proper context in which to experience the myriad of events that will transpire throughout the rest of the book. Which is why it's front and center.

The good news is, theme isn't something you add to a book. It's something already there, a question your subconscious keeps trying to answer off and on throughout the story. All you have to do is find it.

Myth #3: If your beats aren't lining up just so, your book is broken.

Truth: SAVE THE CAT is a screenwriting book, and the beat sheet, in its original form is intended to show how one can efficiently squish a story into roughly 90-110 minutes of film. We book people, on the other hand, have a little bit more leeway.

A more accurate way to look at the Save the Cat beat structure is to think of it as a recipe. Here are all the ingredients you will need to make for a satisfying dish. You can flavor to taste.

Myth #4: Some people just don't have the plotting gene.

Truth: Plotting, like most everything else, can be learned. Instead of giving up on plotting altogether, ask yourself why you have such an aversion to it. Is it because not knowing what happens next makes you nervous? Or because knowing too much ruins the story for you?

"That doesn't always work for me" is better than "I can't do it" any day.

Myth #5: "Formula" is a four-letter word.

Truth: Math, science, the universe, and pretty much everything else is made up of some kind of formula. Your DNA? A formula. Your favorite beer? A formula. The way your mind works when coming up with stories? A formula. The beat sheet is no different.

Myth #6: It's impossible to cram the happenings of a 400 page book onto one beat sheet page.

Truth: Can't fit your whole story onto one beat sheet page? Easy. Use more than one beat sheet. Separate your action plot from your romance plot from your subplots and map them each out individually.

Myth #7: This isn't working for me, so I must be doomed for failure.

Truth: Not every book on writing will help every writer. Everyone's different. There are hundreds of books on writing out there. They won't all help you. But a handful will. Keep reading and trying new things until you find them.

Tuesday, May 15, 2012

The 7 Point Plot System aka Save the Cat for Pantsers

ETA: Don't worry about having to keep with the links! I've compiled a list at the bottom of this post!

One of the things I hear most about Save the Cat is that it's damn complicated and what the shit is a theme and why does it have to be in the form of a question? This is a BOOK, Liz, not a freaking episode of Jeopardy!

Pantsers especially, I've noticed, are hella skeered of the beat sheet. And I guess I can understand why. Breaking your book down into 15 steps when you don't even know what your book is about yet does fall under the heading of "intimi--wait for it--dating".

But fear not, you writerly peoples, you! For there is a solution for you heathen pantsers!

The 7 Point Plot System

Developed by Dan Wells, who attributes it to Star Trek RPG, the 7 Point Plot System gives you all the goods of Save the Cat, but with fewer, less intimidating steps.

Here's what it looks like:

The 7 Point Plot System



Hook
The beginning. The mirror image of the end.

Turn 1
Introduces conflict and bridges the gap between the Hook and the Midpoint.

Pinch 1
Something bad happens.

Midpoint
Bridges the gap between the Hook and the Resolution.

Pinch 2
Something even worse happens.

Turn 2
Bridges the gap between Midpoint and End.

Resolution
The climax. Everything in the story leads to this moment.

There's more to it than that, but I'm not going to go into it because he does it so much better. Fortunately for you, the workshop presentation is on YouTube!



He's even made the PowerPoint slides available for download: 7 Point Plot System slides!

I would strongly recommend watching the workshop and going over the slides if you have a free hour this weekend, because not only does he go over the different steps using examples from Harry Potter and The Matrix, but he also goes into some hardcore layered plotting, and breaks it down in a way that it's so simple to use, even for the most die-hard pantser.

(For those of you saving it for later, here's a direct link: 7 Point Plot System. You can also download a PDF of the PowerPoint slides here: 7 Point Plot System PDF.)

How it Works with Save the Cat

I've been over this a hundred times with Liz Poole, and I can say unequivocally, it matches up near perfect with Save the Cat.

Here's the breakdown:

7 Point Plot System
Save the Cat
  • Hook
  • Opening Image
  • Theme Stated
  • Setup
  • Turn 1
  • Catalyst
  • Debate
  • Pinch 1
  • Break into Act II
  • B-Story
  • Fun & Games
  • Midpoint
  • Midpoint
  • Pinch 2
    • Bad Guys Close In
    • All is Lost
    • Black Moment
    • Turn 2
    • Break into Act III
    • Finale
    • Resolution
    • Final Image

    So you can see, it matches up pretty well. For a better example, I went ahead and did a Beat Sheet and 7 Point Plot worksheet for Wicked (the musical, not the book):

    (If you hate Scribd, don't worry--there are links to downloadable PDF versions of these at the bottom of this post.)

    7 Point Plot Worksheet - Wicked
    Save the Cat Beat Sheet for Novels - Wicked

    If you're one of the people who tried Save the Cat and it just didn't work for you, I hope this helps to fill in that gap. These days, I find it's easier to scratch out a loose plot using the 7 Point Plot system, work with the story for a few pages, and then fill in the blanks on the Save the Cat beat sheet as they come to me. A lot of the intimidation that comes with the Save the Cat beat sheet comes from the feeling that you have to have this enormous chunk of information before you even begin writing, and I like how the 7 Point Plot System simplifies that so that you're only working on one aspect of the plot (action, romance, betrayal) at any given time.
    Links!
    Part 1 of the Story Structure (7 Point Plot) workshop: YouTube
    Story Structure (7 Point Plot) slides: PowerPoint | PDF

    Beat Sheet example for "Wicked": PDF
    7 Point Plot example for "Wicked": PDF

    Save the Cat Beat Sheet for Novels: Excel

    7 Point Plot Worksheet (Printable): PDF
    7 Point Plot Worksheet (Layered): Excel

    Thank You
    I love that so many people have found the Save the Cat Beat Sheet for Novels helpful. As always, if you have any questions or comments (or corrections!), feel free to let me know.

    More beat sheet stuff is coming this summer! It's gonna be awesome!

    Thursday, April 14, 2011

    Save the Cat Beat Sheet Spreadsheet for Novels

    A while ago, I talked about how I use the Save the Cat beat sheet to roughly plot out new projects before drafting. The problem for most people, though, is that the beat sheet is for movie scripts that are around 100 pages, and books are significantly longer.

    So I decided to share with you my little beat sheet spreadsheet:




    Click here to download from Sribd! (Be sure to chose .xlsx format!)
    Click here to download the file directly! (For those of you who hate Scribd!)

    All you have to do is fill in your title, logline, and projected word count, and it will handle the rest. You can also mark which chapter the beats happen in, in case you need a quick reference.

    Enjoy!

    Thursday, February 3, 2011

    Doubt

    Earlier today, while I was eating lunch, I somehow found myself in the middle of a study group. Not my study group, but just some random study group. I don't even know what they were studying, just that somehow, for some reason, the topic got turned around to writing and before too long, they were all looking at me like I was Yoda and they wanted me to show them the ways of the Force.

    I'm not exactly sure why this happens. Not that it happens a lot, but every now and then, it's like I accidentally walked out the door with a neon sign across my boobs that reads I WRITE BOOKS! ASK ME HOW! And even though I feel like I know a lot about writing, I don't always feel qualified to give advice on the subject. I mean, why should anyone take advice from me? I can't even write a five-page essay without freaking out.

    But there we were, talking about writing, when a shaggy-haired dude looked at me and said, "I have an idea for a story, but I don't know how to put it onto paper."

    "You sit down and write it," I said.

    "But I don't know how."

    "Yes, you do," I said. "You sit down and write it."

    "But I don't know how."

    "Yes, you do."

    He looked at me like I was confused, and shook his head. "Naw, man. It's like, I get writer's block, or whatever."

    "No," I told him. "You give up on yourself and call it quits. That's not writer's block. That's doubt."

    Dude went quiet for a moment. Then he said, "So how do you get rid of doubt?"

    "You tell it to f--- off," I told him. "And then you sit down and write."

    Doubt is universal.

    I have it. You have it. Bestselling, world-famous, published-in-sixteen-countries-in-thiry-languages authors have it. We've all had it at some point. Doubt is that sudden, sobering realization that everything we've been hoping for, everything we've been working toward, it's never going to happen.

    "Things like that don't happen to us," we tell ourselves, and for a moment (sometimes even a long moment), whether we want to or not, we believe it.

    Different people believe different things, but for me, I like to think of doubt as an Internet troll: some unemployed bald guy sitting bored in his parents' basement, looking for a fan site where he can stir up some trouble, at least for a few hours, until something good comes on TV.

    There's only one way to deal with an Internet troll: ignore it and eventually it will go away.

    Yeah, you might be thinking, that's easy for you to say.

    But the truth of the matter is, I'm no better at this than anyone else is. I feel doubt every day. I may not always succumb to it, but I feel it. It's always there, trying to find a way around my mental firewall so it can stir up some bullshit flame war between my proverbial Team Jacob and Team Edward.

    For those of you who know me well--and by "well" I mean sobbing on the phone late at night because I completely suck at writing and have nothing else to live for--know that what goes on here, on this blog, and what goes on behind the scenes, when I'm hyperventilating because my one-sentence pitch is too wordy, are two very different fronts. Sometimes it is very, very difficult to find something positive to say on my blog. It would be much easier to post about the other stuff, like rejections and unfavorable critiques and the people who've said nasty things about my writing for no reason other than they don't like me as a person.

    But if you engage the crazy, you become the crazy, a lesson I've learned all too well in recent years.

    So if you feel Doubt nagging at your noggin, do yourself a favor: ignore him and do it anyway, and eventually he'll go bother someone else.

    Thursday, December 23, 2010

    More On Plotting


    I took a shot of this the day of finals, and just now got around to pulling it off my phone.  Here, we have: a short outline, a long outline, notebook, hair clip, lip balm, colored index cards, pencils, highlighters, black ink pen (very important), white index cards, and Blake Snyder's SAVE THE CAT.

    Then, when I have a good idea of where I'm going, it all gets input into Scrivener, like this:


    I typically try to write from beginning to end, but there are some scenes I know out of order, so I don't feel bad spending a few minutes getting those down as they come to me.


    Full-screen mode is great for times when Twitter gets in the way of productivity:


    I'm also partial to my timer-bomb, which keeps me from feeling overwhelmed:


    But the real secret to writing well is having tons of these:


    HOTCH SNUGGLES!!!!

    Happy Holidays, everyone!

    Wednesday, December 22, 2010

    Required Reading for Writers

    Back when I worked for The Bank, there was a stupid rule that we had to read this bohemoth of a policies and procedures book every year before December 31st. Every year, I'd put it off until the very last week, hoping I could somehow get out of it. And every year, my boss would swish past my desk, wearing a look on her face like she'd just swallowed a toad, and I'd know my plan had been foiled. Again.

    I don't rightly recall why I had such an aversion to reading the policies and procedures handbook, except to say that half the stuff was either outdated or outlandish or both. But I do remember how it felt to come back in the middle of December, after my winter vacation, and see that 5" maroon binder staring me in the face. It's the same feeling I got last week, when I looked at my history final and realized everything I knew about the Civil War came from True Blood.

    But as I was tidying up my office, the thought occurred to me that maybe it wouldn't be such a bad idea to spend what little bit is left of 2010 re-reading some of my favorite writing books.

    Here's a short list:


    I have others on my shelves that I turn to periodically, but these are the ones I find myself going back to over and over again.

    How about you? Which books are your favorites, and which would you deem required reading for writers?

    Tuesday, December 7, 2010

    The Idea Store

    Earlier this afternoon, I asked a friend of mine, "Where do your ideas come from?"

    "I buy them from an ad in the back of Rolling Stone," she told me. "I dunno. All over."

    This morning I pulled up a book I finished in September to get it ready for an edit the size of a rewrite. I don't know how to explain what it feels like to read your own work except to say that it's different than reading someone else's work. The flaws are more pronounced, the characters more familiar. Sometimes I run across things I didn't even know I knew, and I'm amazed I even knew it to begin with.

    Growing up, I was never one of those people who had to ask, what should I write about?  What should I draw? What should I play? What should I wear? I had to ask those things a lot. (I still do.) But I always had an idea for something to write, even if I didn't know how to execute it properly at the time.

    So how do you open your own Idea Store?  I have no idea clue. But here are a few rules that have helped me over the years.

    Give up on your muse.

    I hate to break it to you, but muses? They don't exist. What does exist is hard work. If you really want to be a font of ideas, stop waiting on them to find you and start looking for them. Everywhere.


    Don't panic.

    Every now and then, the thought occurs to me that I might never have a good idea ever again and will somehow die of writer's block. 

    (I know it's not really possible to die of writer's block, but sometimes it feels like it is, and that's all that matters.)

    The cure for this is simple: step away from the computer and do something fun. Play mini-golf. Do the dishes by hand. Read a book. Take a nap. Play with the kids/dog/cat. Acknowledge a loved one with more than an annoyed grunt. By the time you're done relaxing, you'll most likely have had an idea. Crisis averted. It's only when you let yourself go into panic mode that all hell breaks loose.

    Stop window shopping.

    Keep a notebook and pen with you everywhere you go, and jot down ideas as they come to you. If you lollygag around waiting for validation, probably you're going to forget the idea you were ambivalent about in the first place. It's better to write it down now and analyze it later.

    A picture is worth a thousand words.

    Challenge yourself every day to craft a story in your head about a song, a painting, a picture or a building. Whether you put it on paper is up to you.

    Don't expect every idea to be a good one.

    Most of the ideas I have are crap, and I mean that in a Battleship-Earth-meets-Dumb-and-Dumberer kind of way. You could bottle some of my ideas and fertilize your farm for years to come, that's how crap they are. But I jot them down anyway. You wouldn't believe how many good ideas come to us dressed in a suit of poo.

    Mix-n-Match

    Take two been-there-done-that ideas, shake them up, and see what happens.

    Those are just my tried-and-true favorites, and as always, your mileage may vary. So how about you? How do you go about generating ideas?